The film is slated for 2010 and stars Benicio Del Toro, Stephen Dorff, Elle Fanning, and Robert Schwartzman (Rooney frontman, brother to Coconut Records’ Jason Schwartzman, and cousin to Coppola).
All in the Family
Thomas Mars, Phoenix's frontman, is set to write some or all of the score for Sofia Coppola's new film Somewhere. (They're life partners, have a baby together and are probably the coolest celebrity couple ever.)
The film is slated for 2010 and stars Benicio Del Toro, Stephen Dorff, Elle Fanning, and Robert Schwartzman (Rooney frontman, brother to Coconut Records’ Jason Schwartzman, and cousin to Coppola).
The film is slated for 2010 and stars Benicio Del Toro, Stephen Dorff, Elle Fanning, and Robert Schwartzman (Rooney frontman, brother to Coconut Records’ Jason Schwartzman, and cousin to Coppola).
Holiday Shores
Holiday Shores are a band from Florida.
They're coming to play their pleasantly floaty indie at the CMJ Music Festival here in New York, which is a pretty big accomplishment/deal for little groups like these guys.
Try Phones Don't Feud:
myspace.com/holidayshoresmusic
The Coast
Bands with the word 'coast' involved in their name often get lost in the shuffle (Best Coast, Envy on the Coast, Ruby Coast, Right Coast, The C.O.A.S.T., etc...)
So naturally a band with the most stripped down version of coast, The Coast, would get noted but passed up. But these Toronto natives shouldn't go by the fan of Canadian indie pop rock.
Listen for yourself on their myspace.
Try Tightrope and Killing Off Our Friends.
Last Night: Phoenix + Passion Pit!
Phoenix capped off another killer set last night in Central Park.
Absolutley fantastic...their shows are addicting.
But this was was a pretty different gig. I snuck my SLR and telephoto lens into the park, so the pictures were a lot better and closer (the gap between the stage and crowd is bigger at outdoor shows). Most were fuzzy albeit the ISO 1600 setting.
Ok ok..before this turns into a photography blog:
Passion Pit.
They sound so much better recorded, simply because their music depends so much on elaborate studio enhancements and perfect sounding synth. But they did their job warming up the crowd and had great energy.
Absolutley fantastic...their shows are addicting.
But this was was a pretty different gig. I snuck my SLR and telephoto lens into the park, so the pictures were a lot better and closer (the gap between the stage and crowd is bigger at outdoor shows). Most were fuzzy albeit the ISO 1600 setting.
Ok ok..before this turns into a photography blog:
Passion Pit.
They sound so much better recorded, simply because their music depends so much on elaborate studio enhancements and perfect sounding synth. But they did their job warming up the crowd and had great energy.
Then, Phoenix! A long set, huge amounts of energy. They never missed a beat or lost momentum. Frontman Thomas Mars still jumps into the crowd, comes to the very edge of the stage and climbs amps which makes for a sort of interactive and interesting experience. As for the others, they never stop moving (which makes for a difficult photography event)
Nevertheless they might be one of the best live indie pop bands out there.
above:THE BEST SHOT OF THE NIGHT!
I'm really proud of this one.
The first part of the encore was just Christian Mazzalai (lead guitar) and Thomas for an acoustic/unplugged 2 song set, including a slow version that the crowd sang along to of Everything is Everything and Playground Love (!) The song they scored for Sofia Coppola's film The Virgin Suicides. I captured a little bit of it, video below:
Nevertheless they might be one of the best live indie pop bands out there.
above:THE BEST SHOT OF THE NIGHT!I'm really proud of this one.
The first part of the encore was just Christian Mazzalai (lead guitar) and Thomas for an acoustic/unplugged 2 song set, including a slow version that the crowd sang along to of Everything is Everything and Playground Love (!) The song they scored for Sofia Coppola's film The Virgin Suicides. I captured a little bit of it, video below:
And then the full group finale (If I Ever Feel Better & 1901)
Literally everyone in the band was climbing on a monitor or an amp!
Literally everyone in the band was climbing on a monitor or an amp!
So much fun. It was an awesome night.
Read about the other times I've seen Phoenix
HERE and HERE
myspace.com/passionpit
myspace.com/wearephoenix
Read about the other times I've seen Phoenix
HERE and HERE
myspace.com/passionpit
myspace.com/wearephoenix
Phoenix on Jimmy
Just in case anyone hasn't heard 1901 or Lisztomania on national network television yet, they've got another chance! Catch the French alt-popsters Phoenix on Late Night with Jimmy Fallon tonight, starting at 12:37pm New York time.
And get ready for another gig review: I've got tickets for one of their two Rumsey Playfield shows in Central Park this weekend.
Hospice
Peter Silberman pulled a Brian Wilson on us, writing Hospice during a period of "social isolation" and then recording it in his bedroom with the help of two musicians: Michael Lerner (drums) and Darby Cicci (versatile). They ended up becoming permanent members of the group and went on to self-release Hospice. Propelled by NPR, the first pressing was sold out and the group was picked up by indie label Frenchkiss.
Brilliant and sad lyrics run throughout on top of mellow, catchy and rolling melodies. It's really a fantastic album.
Give one of the singles, Bear, a listen:
Last Night: Meligrove Band, The Acorn and Born Ruffians (Toronto)
I've made no attempts on this page to hide the fact that Born Ruffians are one of my absolute favorite bands, so it was incredibly coincidental and lucky that one of their concerts would fall right in the middle of this past weekend's long standing plans to travel to their hometown of Toronto for family and school visits.
The band coins the show as one of their best, and I would have to agree. They played for a very enthusiastic (ok, crazy mosh pitting) crowd of all-agers last Satuday, September 19 at the Opera House.
Meligrove Band opened, they were unremarkable.
The venue confiscated my SLR, which would explain the noisy/terrible shots:
myspace.com/meligroveband
Second on the bill, The Acorn. I highly recommend these guys, they really stole the show for the first part of the night. They sound a lot like a poppier and more accessible version of Akron/Family and a little bit like Fruit Bats. Great live performers, really humble guys. They seemed genuinely surprised that people were getting into their set!
They stung lights across the stage.
myspace.com/theacorn
And finally, Born Ruffians! This was the 6th show I've seen them play, and like all the others, unsuccessful pictures but really a lot of fun. This was also the first full-on set I've seen them headline, and there's really a noticeable difference from their opening slot performances (they were all great, but the home town enthusiasm makes the difference here).
These guys need to stop being so humble about their achievements!
They really deserve all they've worked up to so far.
innovation + fantastic live shows = success.
It's just that simple.
The band coins the show as one of their best, and I would have to agree. They played for a very enthusiastic (ok, crazy mosh pitting) crowd of all-agers last Satuday, September 19 at the Opera House.
Meligrove Band opened, they were unremarkable.
The venue confiscated my SLR, which would explain the noisy/terrible shots:
myspace.com/meligrovebandSecond on the bill, The Acorn. I highly recommend these guys, they really stole the show for the first part of the night. They sound a lot like a poppier and more accessible version of Akron/Family and a little bit like Fruit Bats. Great live performers, really humble guys. They seemed genuinely surprised that people were getting into their set!
They stung lights across the stage.
myspace.com/theacorn
And finally, Born Ruffians! This was the 6th show I've seen them play, and like all the others, unsuccessful pictures but really a lot of fun. This was also the first full-on set I've seen them headline, and there's really a noticeable difference from their opening slot performances (they were all great, but the home town enthusiasm makes the difference here).
These guys need to stop being so humble about their achievements!
They really deserve all they've worked up to so far.
innovation + fantastic live shows = success.
It's just that simple.
The single from Julian Casablancas' solo album Phrazes for the Young (RCA;10/20)
11th Dimension:Enjoy the modernization of 80s synth pop.
Rumor has it that The Strokes' rhythm guitarist Albert has been checked into rehab, putting a stop to the fourth album, which is very unfortunate..get well soon, Hammond Jr.
Vampire Weekend Sophomore Album Revealed
There they are! The album art and tracklisting for Contra, the
Vamp's follow-up LP.
It's slated for January 12, 2010.
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