Soak Up "Congratulations" with MGMT


I confess to shying away from listening to Congratulations, MGMT's follow-up to the surprise hit debut Oracular Spectacular, for two reasons. First, I never got into said debut. Second goes out to pretentiously not wanting to listen to 'mainstream-indie' music. My mistake.

MGMT basically had two choices when it was time to approach LP2. They could continue making radio-friendly songs that everyone wanted to hear despite the fact that they didn't really believe in them, or they could go off in a totally different direction. Either way, their fanbase was destined to be split. It's true of pretty much all groups that have achieved similar debut success. They tank if they carbon copy the first one. They tank with fans of the debut if they go off in a different direction.

Lucky for me and fans of well-crafted art rock, MGMT decided to go against the grain. Congratulations amazingly produced (which is why they don't translate well live), lyrically interesting, sonically coherent and overall a great package - much better than the topical pop Oracular gave us. Unfortunately, the general consumer doesn't have enough patience for an LP like this, or a beautiful track like Siberian Breaks, the 12 minute long album centerpiece. Those people will be hopefully be appeased (seriously!) by poppier tracks like Brian Eno and Song for Dan Treacy, but even at that, they don't really match the danceability of their previous hits. I don't mind this at all. But then again, I love it when 'loud' artists do softer tracks (ex. Arctic Monkeys' 505; Young Rival's The Ocean, Soft Pack's Mexico, Tokyo Police Club's Swedes in Stockholm).

There's plenty more to say, but I'll end it here:
It seems like there will always be a part of their fanbase that will never be thrilled in the least by this gem of a recording and in turn lost, but that's the price MGMT (probably happily) pays for musically taking the direction they'd like to.

"All is well if the ticket sells."

Welcome to Daytrotter



Here's a trailer for an upcoming doc about the fabulous blog/recording studio Daytrotter.
Take a look!

Last Weekend: Born Ruffians

(Commence very poorly written, emotionally-charged post)

Last weekend was one of the craziest, most fun and most memorable weekends I've ever had. It started with me buying a ticket to see Born Ruffians on June 19th in March, which turned out to be a two-fold problem. First off, they were too kind to put me on some sort of permanent guest list for running their fansite, so I didn't need a ticket. Second, it turned out to be on the same day as my graduation. I had already missed their first 2010 New York show, and there was no way I was going to skip another.

So after a lot of thought (sitting, feeling conflicted in the park on Mulberry & Spring) I decided that I was going to race to the venue after graduation and come back in time for a huge party my school was giving that ran from 11-5.30a.

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Show One: New York, Santos Party House.

I came into the venue about 3/4 of the way through Young Rival's set. The place wasn't packed, so I just walked up to the second row of people. By the time Born Ruffians came on, the venue had filled up. They played a fantastic set, lots of stuff from their great new album SAY IT...this was probably the tightest of all eight shows I've seen them play and definitely my favorite gig. Everyone was really into it - lots of dancing and singing along.

The best part of the show (for me) was when the bassist, Mitch, who is the band's webmaster and the person I've been mostly communicating with dedicated Higher & Higher to me, presumably because there's a line from said song quoted on the fansite. He said, "This one's for Julia", which provoked the whole venue to start chanting Juuuuulia, Juuuulia. It was surreal and probably one of the cooler moments I've experienced.

After the show, I met Andy, the touring keyboard player for the first time and caught up with Mitch and the lead singer Luke. It was also great to meet Teri, a person who I've gotten to know through trading comments on BR's social media sites. After awhile, Luke was pointing me out to people who mentioned my fansite, so we (me & Teri, that is) met lots of internet friends as well.

The only photo from New York:


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The next day I headed to Boston, where I was on the guest list for their sold out show at Great Scott, which was by far the hottest/most poorly ventilated venue I've ever been in.

Young Rival came on around 10 and played garage rock for 40 minutes or so. They had a couple of good tunes. Check out The Ocean and Just Can't Stay Here.

Born Ruffians came on to a moshing crowd but still played solidly nonetheless (not as tight as New York, though). They stayed on well past midnight. During the encore, the drummer, Steve, gave me a shout-out, which went something like this (I have a terrible word memory): There's someone very special to us here tonight, her name is Julia (lifts drumstick in my general direction), and she runs our fansite..Fuck...Yeah..Born..Ruffians, which is way cooler than anything we've ever done online. Round of applause for Julia...thank you. I was standing right in front of him, so I smiled at him as the people who were standing around me were flashing thumbs up and bro-pushing me. This was mildly embarrassing, as I dislike being the center of attention, but still really cool.

After their set, Steve jumped down to talk to me, and told me that we'd never actually met, which was surprisingly true. We shook hands and hung out for awhile, and he said some very nice things. He gave me a shirt and got everyone to sign a vinyl for me. We talked to John from YR at the merch table about websites and headed to the back of the venue. I chatted with Luke about college and he suggested that we all take a picture together. Around the same time, Steve was shirtless and playing Andy's keyboard to some reggae song that was on the PA as Aron from YR grinded with him, which was hilarious. Mitch took a picture and Luke told me to put that one up on the website.

Here's the picture from Mitch's Tour Blog.


Anyway I can't wait to see them again in the fall, when they'll be headlining Bowery Ballroom and playing The Knitting Factory in Brooklyn. Woo!


Review: Tokyo Police Club - "Champ"


I remember thinking that Elephant Shell, the debut LP from Toronto's Tokyo Police Club was one of the most cohesive albums I had ever heard. A few months and many plays later, turns out I'd confused it with repetitiveness, and that CD has been sitting on my desk collecting dust since then.

Such is not the case with their second LP, Champ. The tracks are polished, varied, poppy and addictive, but somehow still manage to maintain the faux-grunge TPC aesthetic. Just about every song is radio-friendly and it can be played on repeat without getting tiring. Standout tracks include Gone, Frankenstein and Bambi.

The only criticism I have, which is true of pretty much every TPC release, is the lyrical content. By in large, they're nonsensical. Fun to sing along to, but meaningless. That being said, there is a 'youthful' undertone to every song - as in, there are younger brothers, kites, Bambi and fighting monsters under the bed with "superglue and paperclips". This only bothers me because Elephant Shell wasn't really any different, except it was mostly about death. In fact, they glorified being young in Nursery/Academy and provided semi-terrifying imagery of death in the other tracks.

But these things don't really bother an average listener, do they?
I highly recommend Champ regardless.



Score by Thomas Mars.
12.22.10

The Champ-ionship / Just Say It: A New Chapter for Indie Marketing

As if reaching across every social media site wasn't enough for bands to do online these days, a new trend has emerged. It's difficult to label said trend, but a few groups that this blog has been following have been linking their album name with some sort of giveaway contest. That's not much of an accurate description, so onto the examples:

The Champ-ionship

This is a contest that's being held by Toronto natives Tokyo Police Club. Their second LP, Champ is due out on June 8th, and they're touring extensively through North America with Passion Pit (TPC is supporting) and Freelance Whales (" headlining).

To promote their record, they're holding a Champ Championship. Fans send in contest ideas, and the 'best' one will be chosen by TPC, who will go to the winner's town to compete in their challenge against them. See link above for more information/to enter.


"Just Say It" Minisite

It seems as though TPC got their idea from their friends/neighbors Born Ruffians. Their album Say It comes out on June 1, and they're also touring quite a bit with Young Rival in support of the release. Because their new band motto is to 'talk about things before they happen', it's fitting that they would set up a box where fans can verbalize, rant or just blabber anonymously. Others vote up or down on entries, and the BR will pick from the top 5 on June 20th. The winner will receive a signed guitar, a signed vinyl and concert tickets, among other prizes. sayit.bornruffians.com


A New Single from The Twees


The Twees' new single Unfair Affair/Hepburn Shades rolled into my inbox a week or two ago, and now that it's available for anyone to download, I figured it was an fine time to let you all know.
The songs are sugary and accessible sounding as the EP Lessons to Connect was, but show a bit more development, which is especially apparent in the riffing and the lyrical themes.

Sign up for the mailing list to access the tracks for free.

Review: Caribou - "Swim"


Caribou's (Dan Snaith) latest studio effort Swim spares no expense on sonic detail and coherency. Simply, it's a perfect mix of house and streamlined bedroom pop, but there's really nothing simple about the music, especially when one listens on a close level. In reality, the only thing relatively basic about the record are the ideas conveyed through the lyrics, which are met by layers upon layers of varied sounds. Addicting as it is complex, Dan delivers once again. It's possible that this will be one of indie-rock's favorites for the year.

Standout tracks include single Odessa, Kaili and Sun. Luke Lalonde sings on closer track Jamelia, which may be the best song on the record.

The Revival

Man, I don't know what happened here. I poured my soul into working on this page, not to mention countless hours. Somehow we just drifted apart, I guess. Despite the fact that blogger is not much compared to tumblr these days, the end of this month will mark upop's two year anniversary, so perhaps it's time for a revival.

There's a lot to catch up on, so stay tuned..


Video: Born Ruffians - "What to Say"



Here's the official video for What to Say, the first single from Born Ruffians' upcoming sophomore LP Say It. It was shot with a 1940s oscilloscope and directed by Jared Raab of Nirvana the Band the Show fame. Read more behind the scenes coverage on Stereogum. Say It is due out on June 1, and What to Say will be out May 24th.

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